Descriptions / Definitions

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Descriptions / Definitions

“Story slam.” “Traditional storytelling.” What do these even mean?!

[Theme for this month: “Story Slams & Traditional Storytelling – Bridging the Distance”]

Story Slam – Description

image-speakerYesterday we noted how a story slam is a competition. And while some details may differ at particular slams, these are the elements that make a storytelling event a story slam:

  • There is a theme
  • There is a time limit (usually short; 5 minutes is common)
  • People do not know ahead of time if they will actually be selected to tell
  • People interested in telling “put their name in the hat,” and names are drawn randomly
  • It is nearly always to be a first-person, true story; something that happened to the teller
  • There is some kind of signal to indicate the end of the time (and there may be a grace period of perhaps 1 minute)
  • Judges are selected ahead of time in some manner
  • After each story, the judges come up with scores (usually a 1-10 scale) that are announced
  • At the end of the slam, the teller with the highest score is declared the winner
  • Prizes may or may not be awarded

“Traditional storytelling” – Description

I confess I am using “traditional storytelling” as a rather catch-all term to mean storytelling that, well, isn’t a slam-!

The term “traditional storytelling” can more specifically mean storytelling done in a certain passed-on manner within a cultural community or with certain cultural content – as opposed to kinds of performance-oriented storytelling that may be more contemporary in form or content, or traditional material (such as folktales or legends) re-fashioned for contemporary audiences outside of the culturally-traditional community, or storytelling based on literary or original works, etc.

But for our purposes here, I mean: Storytelling which is not not slotted into the forms and requirements of a slam (like I said…catch-all)!  

Rome Storytelling Festival 2010
Rome Storytelling Festival 2010

Non-slam storytelling (“traditional storytelling”) events:

  • sometimes-but-not-always have a theme
  • time limits are encountered but almost always only to divide available time equally between multiple tellers
  • there may be one storyteller or there may be many
  • they run the gamut format-wise: there are festivals, conferences, library programs, school assemblies, birthday parties, brown-bag workshops, house concerts, teacher in-services, conference keynotes, sermon-stories, informal story swaps, structured story-skill workshops, and much more…!
  • are not competitions

And: “Traditional storytelling” in this sense is definitely not limited to first-person account of something that happened to the storyteller.

Legends, myths, folk tales, ghost stories, fairy tales, history, sacred stories, and yes, personal narratives – Stories from the vast array of human experience and community and culture!

 

And finally: “Storytelling” – Definition

Not a good book, a fine movie, a great play, a creative choreography or an engaging country-western song (all of which may “tell a story”)…

Storytelling is the interactive art of using words and actions to reveal the elements and images of a story while encouraging the listener’s imagination.”  – definition offered by the National Storytelling Network.

I also like storyteller Mark Goldman’s definition (influenced by his work with hearing-impaired storytellers, who may use sign instead of words):  Storytelling is the live art of narrative performance, dynamically shaped by audience response.”

using a mic
Outdoor folktales!

Key elements being (drawing from both above-offered definitions):

  • It is a unique art form
  • It happens live, in real time (you can watch a video or listen to a recording of storytelling – but that’s what it is: a recording or a video, not the act of storytelling itself – something like listening to a recording of someone’s phone conversation)
  • A story/narrative is communicated (not stand-up comedy; not “therapy”)
  • It’s interactive with an audience

So, so much more could be parsed here, but that’s more than enough for today’s short look at descriptions and definitions of “story slams” and “traditional storytelling”…

Would you add something to this? Subtract?!

Thanks for reading! – Pam

Comments

11 responses to “Descriptions / Definitions”

  1. Jeri Burns Avatar

    Good work Pam! I want to mush Mark and NSN’s definitions together into something that takes into account all points.

    What about putting “family stories” on the list of traditional ones? (Too picky?)

    “Stories from the vast array of human experience, community, and culture.” Love that!

    1. Pam Faro Avatar
      Pam Faro

      Thanks, Jeri. And mush away! 😉
      And “family stories,” which would be a good inclusion in this post’s incomplete list, I guess is among the “..and much more!” – ! Thanks so much.

  2. Chris Kelworth Avatar

    My one experience with anything like story slams were the Odyssey slams, which were handled a bit differently. They weren’t true to life, mostly authors reading prepared flash pieces from speculative genres. And you knew beforehand that you’d be participating. This is a great look into something new to me, thanks for sharing!

    1. Pam Faro Avatar
      Pam Faro

      I’ve not heard of the Odyssey slams – sounds interesting! Pretty much anything that gets people sharing creatively sounds interesting…! 🙂 Thanks so much for stopping by.

  3. Liz Nichols Avatar

    Great post Pam. What struck me as missing from all the definitions, in the way that things that are so obvious to “us” the practitioners are, but maybe need to be made explicit, is that this is a SOLO art form [yes yes there are tandem tellers but that name in itself makes the point that it is a variation on the ‘norm’). Do you and others agree or not?

    1. Pam Faro Avatar
      Pam Faro

      Definitely a good point to consider, Liz! And food for thought, to chew on… You’re right that solo is the norm; I’m not sure I’d feel it should be part of a definition, any more than a definition of “sculpting,” say, would include it, even though I’m pretty sure sculpting is most commonly done solo as well…! But in describing storytelling you’re very right – solo is most common for sure – Thanks so much!

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