Judging at Story Slams

Judging
Judging

Being a judge

I’m pretty sure I’ll never volunteer to be a judge at a story slam. I’m happy to leave that part of the game to someone else!

Therefore it’s an act of the imagination to answer the question sometimes put to me: “How do they figure the scores?!”

When I consider that, my extensive (cough, cough) experience with story slams (still having only gone to 4 – my 5th one is coming up later this month) leads me to identify the 2 key elements I observe in judging and assigning scores to stories in story slams:

  • Subjectivity
  • Arbitrariness

!

Here’s what I know about judges at a story slam:

  • Some number of people (seems to differ at different slams) are selected prior to the start of the slam by some method (Volunteering? Bribery? Shanghaiing? Gilded invitation? – !).
  • There are generally teams of judges (I’ve witnessed there being 3 teams, composed of differing number of people); and the teams customarily choose names for themselves, which can be anything from uninspired to creative to off-the-wall – see *examples below).
  • Guidelines (depending on the particular slam) are given the judges for their scoring process. Though details may differ from slam to slam, constants for judges to consider seem to be:
    • Storyteller keeps to the time limit, or at least doesn’t go beyond the grace period
    • Story’s relevance to the theme
    • Was it actually a story (as opposed to stand-up comedy, a recitation, a loose sequence of anecdotes, etc.)?
    • Was it engaging?

stopwatchTime limit is the only measurable element here. I would argue that determining whether it was a story vs. non-story is also relatively straightforward, at least most of the time. The other elements – relevance to theme and engaging-ness – can be quite subjective, especially if you must compare “degrees” of this between the stories told.

And then you pick a number between 1 and 10 and assign it to the story.

So…there’s the arbitrariness.

Being judged

Of course the judges are judging, and the storytellers are…being judged…

It could feel harsh…being judged…couldn’t it…?

I would think it best if each teller can see it as a game, and not get overly competitive or emotionally invested in the outcome or the subjectively-processed and arbitrarily-assigned numbers for scores…

But…

I have witnessed storytellers at slams choose to offer very personal, emotionally-vulnerable stories…only to be, of course, “judged” (it is the nature and process of the story slam event, after all) and given lower scores than a more frivolous yet more-entertaining (and perhaps more skillfully-told, perhaps not) story. It’s kind of tough to take. They shared really deep experiences…. It happened to a friend of mine…and it makes me think twice about how personal a story I might choose to tell in future slams…!

The Point of the Judging?

I like the way Robin Bady put it in a comment-reply on her blog (under her F posting for “Finally!” in which she reports on her first Moth experience [fun for me to read, having just posted yesterday about mine –“I Wuz Robbed!”]). Robin writes:

“The judging is not really a big deal. Just a way to get people to cheer and to support the tellers. Sometimes the ‘best’ one wins…(That) is really not the point of it, though it did raise the stakes.” (And then she added: “But hey, every festival, every show, every whatever is kinda a judgment, yes?” – which is a different topic for another time perhaps!)

More food for thought, right?

Thanks for reading – Pam

 *Examples of Team-of-Judges names I’ve witnessed:
  • Deep Layers
  • The Boy Who Lived
  • Snitches Get Stitches
  • Blue Makes Perfect
  • Bumbledums

I’ve no earthly idea of the custom or culture or why or wherefore of how such names are come up with and chosen, but there you are.

 

Stopwatch image courtesy of digitalart at FreeDigitalPhotos.net

Comments

7 responses to “Judging at Story Slams”

  1. Susan Scott Avatar

    Thanks Pam, gosh what a process. I feel for those who revealed themselves only to be upped because someone else’s was more frivolous yet entertaining story. But constants are constants .. and I’m sure there’s room for less fixity!

    1. Pam Faro Avatar
      Pam Faro

      Yes, I was almost shocked when a friend of mine (and a good storyteller!) chose to tell an almost-intimate story about her grief experience after her husband’s death (and then of course got a “score” lower than some of the others)… What I’ve witnessed and learned now about story slams, that is not a story I would choose to tell! And yet, on The Moth Radio Hour (broadcast out of New York), there are sometimes searing stories that have “won”…hmmm The whole judging thing is curious, applied to storytelling…! Thanks, Susan.

  2. Liz Brownlee Avatar

    Oooh, interesting, I’ve only ever been to poetry slams and the best poet virtually always wins. It sounds great fun, have to admit. Even if you do lose!

    1. Pam Faro Avatar
      Pam Faro

      It can indeed be lots of fun! (You might want to check out my I post, “I Wuz Robbed!”) Thanks for stopping by!

  3. Robin Bady Avatar

    My first experience at the Moth, my friend Joy and I were asked if we wanted to be judges with two others we had not met before. We were given very clear guidelines, written out…1. Be on topic 2. Be on time. 3. Do we care about the character(s) in the story and 4. Did the story have a good natural arc (beginning middle end). Our group (2 tellers, 2 students) often had different scores than the other groups. But it was fun (FUN – which is what an evening in a bar telling stories is meant to be, as far as I can see)

    Not until I got up on their stage was I sure if I would be a fan of the judging process. As I wrote in my blog (Startingfromzed.blogspot.com), the fact of it intensified my pleasure in the telling!

    In that slam, where the theme was Bosses, the winner told a real david v. goliath story – funny and strong. The runner up was a guy who told a deeply moving story about sleeping with his boss and the lessons he learned.

    So – I guess he felt safe enough to share it.

    But context, context, context.

    Why use the Moth as a place to tell a story that has such strong connections for you unless you are prepared for the feedback, or lack of it? Unless you are using it to try out the story, stretch the market, educate?

    Does the funny one always win? Don’t know, really.Have only gone to to a few slams. All Moths. But there are venues to tell deeper stories also..one of the reasons I set up my house concert series.

    We need to set them up ourselves if we cannot find them.

  4. gregbo Avatar

    Has anyone ever considered using Condorcet ranking methods in the storytelling competitions you judge?

    http://civs.cs.cornell.edu/rp.html

    1. Pam Faro Avatar
      Pam Faro

      Don’t know – never heard of it/them! May warrant some inquiry. Thanks!

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